LIMITED EDITION — ONLY 25 MADE
Inspired by Hieronymus Bosch and the traditions that shaped him, this diptych unfolds like a fever dream, each panel an intricate web of allegory and nightmare.
• 75% Wool 25% Cotton
• Front Pockets
• Original Artwork
• Made in Netherlands by master Dutch weavers
• Free UK shipping over £200 & Global shipping over £500
• Duties and taxes included for the UK, EU, USA and Australia
• 30-day returns
Regular fit. Take your usual size. Model wears size M.
On the left, worldly pleasures are on full display: opulent tents, debauched gatherings, and bizarre hybrids of human and beast cavorting across a lush, surreal landscape. A pink vessel sails across a river, its passengers caught in a grotesque procession of indulgence and folly. It is a tableau of unchecked desire, humanity’s weakness laid bare under the indifferent gaze of distant hills. This is the world before the fall: lush yet ominous, where excess rules and shadows begin to creep in.
The right panel plunges us into the chaos of damnation, a vision of Hell. The hills erupt into flames, and twisted creatures torment the damned in a dark, barren wasteland. A man lies dying in his bed, besieged by demonic figures clawing at his soul. The scene reflects a deep medieval anxiety about the vulnerability of the dying, where one’s soul was believed to hang in a precarious balance between redemption and damnation. The infamous "bed demons" of medieval folklore, sinister spirits said to torment sleepers and prey on the souls of the dying, appear in full force. These creatures, part demon and part nightmare, symbolised the spiritual and physical dangers of the transition between life and death, a liminal space where Hell’s agents wielded their greatest power.
These demons were often depicted as tempters or tormentors, embodying sins such as lust, greed, and sloth. Their presence near the bed highlights the precarious nature of the moment, as though Hell itself has gathered to claim the reprobate. This scene taps into a broader medieval tradition of Ars Moriendi, or the "art of dying," in which the final hours were seen as a spiritual battleground.
The vision presented here owes its form to a blend of medieval Christian doctrine, Dante’s Inferno, and older pagan mythologies. Fire, grotesque tormentors, and eternal suffering are drawn from Greek Hades, Norse Hel, and the medieval Church’s emphasis on moral judgment. Bosch and his followers absorbed and synthesised these traditions, crafting an infernal realm that feels both deeply personal and universally terrifying.
Yet beyond the medieval visions of fire and brimstone, this diptych also hints at a more immediate truth: Heaven and Hell are not distant realms but states of being that exist in the here and now. On the left, the indulgence and debauchery of unchecked desire create a Hell that masquerades as pleasure. On the right, the torments of guilt, regret, and squandered time are vividly played out in the suffering of the reprobate. These are not punishments reserved for some distant afterlife; they are consequences born from our own choices, unfolding in the fabric of our lives and deaths. Heaven and Hell are not far-off destinations. They are woven into our existence, their seeds sown in the moments we live and the paths we choose.
Artwork by Stevie Anderson
SMALL
Pit to pit : 56cm
Length : 106cm
Sleeve length : 65cm
MEDIUM
Pit to pit : 58.5cm
Length : 107cm
Sleeve length : 65.5cm
LARGE
Pit to pit : 61cm
Length : 108cm
Sleeve length : 66cm
X-LARGE
Pit to pit : 63.5cm
Length : 109cm
Sleeve length : 66.5cm
We usually only make 4 or 5 pieces of each design and 1 piece of each size.
This rare Endless Joy Collector’s Blouson Jacket combines masterful Dutch weaving with hand-tailored London finishing, delivering a smooth, luxurious fit and a statement of wearable art.
Please contact lexi@endlessjoy.co.uk with your inquiry and to confirm if our special tailoring service is possible for your request.
Dry Clean Only.
Do not machine wash or tumble dry as some shrinkage may occur.
With any work of art, there are signs of the artist at work. Enjoy any print irregularities, they are part of the finish and should not be considered as imperfections. They are part of your garment and they are what makes it unique.
• Try at Home
30-day returns if it’s not right.
• Shipping
We ship worldwide from the UK. Duties and taxes included for the UK, EU, USA and Australia — no additional charges on delivery. Free UK Shipping over £200 & Free Global Shipping over £500
• Returns
Request a return and we’ll send you a label. Return fees apply.
• For More Information
Please visit our Delivery & Returns & FAQ’s page.
Woven in the Netherlands by expert Dutch weavers. This mill was the first in the country to earn the OEKO-TEX® STeP Level 2 certification for sustainable textile production.
All fabrics are made using Newlife™ yarns and OEKO-TEX® Standard 100 certified yarns. Every loom runs on 100% renewable energy.
Composition: 75% wool, 25% cotton.
Made in the United Kingdom.
For every item sold, one tree is planted.
LIMITED EDITION — ONLY 25 MADE
Inspired by Hieronymus Bosch and the traditions that shaped him, this diptych unfolds like a fever dream, each panel an intricate web of allegory and nightmare.
• 75% Wool 25% Cotton
• Front Pockets
• Original Artwork
• Made in Netherlands by master Dutch weavers
• Free UK shipping over £200 & Global shipping over £500
• Duties and taxes included for the UK, EU, USA and Australia
• 30-day returns
Regular fit. Take your usual size. Model wears size M.
On the left, worldly pleasures are on full display: opulent tents, debauched gatherings, and bizarre hybrids of human and beast cavorting across a lush, surreal landscape. A pink vessel sails across a river, its passengers caught in a grotesque procession of indulgence and folly. It is a tableau of unchecked desire, humanity’s weakness laid bare under the indifferent gaze of distant hills. This is the world before the fall: lush yet ominous, where excess rules and shadows begin to creep in.
The right panel plunges us into the chaos of damnation, a vision of Hell. The hills erupt into flames, and twisted creatures torment the damned in a dark, barren wasteland. A man lies dying in his bed, besieged by demonic figures clawing at his soul. The scene reflects a deep medieval anxiety about the vulnerability of the dying, where one’s soul was believed to hang in a precarious balance between redemption and damnation. The infamous "bed demons" of medieval folklore, sinister spirits said to torment sleepers and prey on the souls of the dying, appear in full force. These creatures, part demon and part nightmare, symbolised the spiritual and physical dangers of the transition between life and death, a liminal space where Hell’s agents wielded their greatest power.
These demons were often depicted as tempters or tormentors, embodying sins such as lust, greed, and sloth. Their presence near the bed highlights the precarious nature of the moment, as though Hell itself has gathered to claim the reprobate. This scene taps into a broader medieval tradition of Ars Moriendi, or the "art of dying," in which the final hours were seen as a spiritual battleground.
The vision presented here owes its form to a blend of medieval Christian doctrine, Dante’s Inferno, and older pagan mythologies. Fire, grotesque tormentors, and eternal suffering are drawn from Greek Hades, Norse Hel, and the medieval Church’s emphasis on moral judgment. Bosch and his followers absorbed and synthesised these traditions, crafting an infernal realm that feels both deeply personal and universally terrifying.
Yet beyond the medieval visions of fire and brimstone, this diptych also hints at a more immediate truth: Heaven and Hell are not distant realms but states of being that exist in the here and now. On the left, the indulgence and debauchery of unchecked desire create a Hell that masquerades as pleasure. On the right, the torments of guilt, regret, and squandered time are vividly played out in the suffering of the reprobate. These are not punishments reserved for some distant afterlife; they are consequences born from our own choices, unfolding in the fabric of our lives and deaths. Heaven and Hell are not far-off destinations. They are woven into our existence, their seeds sown in the moments we live and the paths we choose.
Artwork by Stevie Anderson
SMALL
Pit to pit : 56cm
Length : 106cm
Sleeve length : 65cm
MEDIUM
Pit to pit : 58.5cm
Length : 107cm
Sleeve length : 65.5cm
LARGE
Pit to pit : 61cm
Length : 108cm
Sleeve length : 66cm
X-LARGE
Pit to pit : 63.5cm
Length : 109cm
Sleeve length : 66.5cm
We usually only make 4 or 5 pieces of each design and 1 piece of each size.
This rare Endless Joy Collector’s Blouson Jacket combines masterful Dutch weaving with hand-tailored London finishing, delivering a smooth, luxurious fit and a statement of wearable art.
Please contact lexi@endlessjoy.co.uk with your inquiry and to confirm if our special tailoring service is possible for your request.
Dry Clean Only.
Do not machine wash or tumble dry as some shrinkage may occur.
With any work of art, there are signs of the artist at work. Enjoy any print irregularities, they are part of the finish and should not be considered as imperfections. They are part of your garment and they are what makes it unique.
• Try at Home
30-day returns if it’s not right.
• Shipping
We ship worldwide from the UK. Duties and taxes included for the UK, EU, USA and Australia — no additional charges on delivery. Free UK Shipping over £200 & Free Global Shipping over £500
• Returns
Request a return and we’ll send you a label. Return fees apply.
• For More Information
Please visit our Delivery & Returns & FAQ’s page.
Woven in the Netherlands by expert Dutch weavers. This mill was the first in the country to earn the OEKO-TEX® STeP Level 2 certification for sustainable textile production.
All fabrics are made using Newlife™ yarns and OEKO-TEX® Standard 100 certified yarns. Every loom runs on 100% renewable energy.
Composition: 75% wool, 25% cotton.
Made in the United Kingdom.
For every item sold, one tree is planted.
